Recaps dw-s7-asylumdaleks6

Published on September 4th, 2012 | by Scott Varnham

Asylum Of The Daleks Recapped!

So, Asylum Of The Daleks, eh? What’s that all about then? If only somebody could provide a useful recap to tell you…

Lured to the original planet of the Daleks by a distress call from one Darla Von Karlsen, the Doctor swiftly works out that he’s been lured into trap. Once he figures it out, a Dalek eyestalk and gun emerge from Darla’s body and the Doctor is shot.

Fortunately, not only is he not dead, but the maritally-challenged Amy and Rory have been captured by similar methods and all three are now in rather a lot of trouble.

See, they’ve been captured by the Daleks, who take up the unusual chant of “Save the Daleks!” and fire the Doctor and co at a planet containing the Asylum of the Daleks (after giving them protective wristbands), from whence is coming an unusual signal; a song from Carmen…

On the surface, they find the remains of a downed ship (the Alaska) and the remains of her crew. Surprisingly, they promptly turn into more of the pseudo-Roboman Dalek puppets seen earlier. It turns out that happens to anyone who stays there too long due to the Nano Cloud (nanogenes, making a return from The Empty Child) without the protection of wristbands. Shockingly, the Dalek puppets took Amy’s off her wrist.

Keeping his wristband very firmly on his wrist is Rory, who got separated from the others upon landing and is now right in the middle of the Dalek asylum. He accidentally wakes them up (in a chilling scene) and is guided to safety by Oswin Oswald’s voice on the intercom while the Doctor and Amy make their way to them. Along the way, the Nano Cloud infection causes Amy to go a tiny bit mental; she sees dancing ballerinas and people dressed up, when they’re actually the insane Daleks having a ball.

Once Amy and Rory are reunited after an incident with a self-destructing Dalek, they still have to keep Amy loved-up, so the Doctor leaves them alone while he goes to retrieve Oswin (played, in what must be one of the best-kept secrets of Nu Who, by new companion Jenna-Louise Coleman). This presents the Ponds with an all-too-convenient chance to solve their marital difficulties (in which Rory brings up the perfectly valid point that he loves her more than she loves him). This whole plotline is possibly cleared up much too quickly and is symbolic of the whole “fairytale relationship” aspect of the Ponds’ marriage.

Meanwhile, back at the ranch, the Doctor has to go through what passes for the Dalek equivalent of Intensive Care. This naturally terrifies the living [Kaled - Language Ed] out of him and he hammers on Oswin’s door, begging to be let in. After a while, she does, seemingly delaying merely to delete all information on him from the telepathic database of the Daleks. Once he’s in, his problems are just beginning. Because Oswin is a Dalek herself – the end stage of the process seen earlier with the Dalek puppets.

Jenna Louise Coleman as Clara Oswin in Doctor Who: Asylum of the Daleks

This is rather troublesome to say the least; obviously the Doctor can’t take an insane Dalek back with him (albeit a Dalek that used to be human – Oswin was one of the former crewmembers of the Alaska, a genius working as a Junior Entertainment Manager). And Oswin, upon realising the truth of her situation, almost immediately tries to kill the Doctor. She backs down at the last minute, and turns off the force-field. Since that’s the only thing stopping the Dalek ship in orbit from blowing up the planet, it’s probably best that the Doctor and company get out of there sharpish.

Taking advantage of the teleporter that Amy and Rory have been standing on for the last several minutes after having resolved their marital difficulties with a quick discussion (too quick if you ask us), they beam back onto the Dalek spaceship…right into the TARDIS. This rather neatly gets round the difficulty of beaming back onto the ship without getting shot on sight (the Daleks were hoping the Doctor would be taken out with the planet, see) and serves to antagonise them further by serving them with a mystery (since their collective memory was erased, all they see is a mysterious stranger teleporting aboard and taunting them).

This leaves the Daleks repeating Dorium Maldovar’s mantra: “DOC-TOR WHO? DOC-TOR WHO?” and once he’s dropped Amy and Rory off home, the Doctor starts chanting it in jubilation, marvelling at the new power this gives him over the Daleks. Fade out…

Next week: Dinosaurs On A Spaceship!


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About the Author


In his spare time, Scott writes for Kasterborous, his personal blog at WordPress and the revived Starburst Magazine. He’s also on Twitter (as @Scott_V_Writer) where he tries to be interesting and verbose in 140 characters.

5 Responses to Asylum Of The Daleks Recapped!

  1. avatar Philip Bates says:

    Great li’l recap, Scott. :)

    But I gotta say, I really liked that small discussion Amy and Rory had about who loves who more. I had a little tear in my eye, actually; I’m sure that’s all down to the brilliant Karen and Arthur. I dunno – I bought into the fact that their love can be rekindled so quickly, maybe as the past two series showed us what they’d do for each other.

    And hey, it’s all down to the Doctor to get ‘em back together! ;)

    And wow, was that Doctor-backing-away-from-the-insane-Daleks scene chilling!

  2. avatar Bob James says:

    It always amazes me, that we always have either someone complaining that story arcs drag on too long (losing the say, more casual viewer, who drops in from time to time, and ends up lost), or that, conversely, matters get tied up and/or resolved far too quickly for someone’s taste. I personally think the greater part of the Pond’s issues took place off camera, and we are seeing the resolution arrived at under fire of the current situation. That, for me, worked nicely. If it had been drawn out over a longer period, we’d no doubt have had someone complaining that too much time was being spent on the Pond’s relationship to the detriment of something else. Mofatt and company just can’t win with some people, and neither could RTD and his team. In my view, a better balance (within one episode!) has been attained here than perhaps, ever before. The right combination of resolution and open ended plot, in a near perfectly paced episode.

  3. avatar Rick Lundeen says:

    I actually liked the episode even more upon a second viewing. Very very solid. Don’t know if it was the best opener since the show came back, that’s debatable but it was very good. I’m glad the theme will be SUBTLE this year, or at least I hope it will and we won’t have someone shouting DOCTOR WHO each and every episode. Looking forward to Dinosaurs!

  4. avatar David says:

    I was wondering that, too. Shouting Doctor Who? at the end or some other time during each episode. Otherwise I liked it, I thought it made me sad when Oswin was converted and didn’t even realize it, and The Doctor seemed to have an idea about it all along. I really like how that was done. I thought the Pond’s marriage problems were an unnecessary bit of drama, but it was handled well enough so it wasn’t bad in any way, and maybe it was in response to perceived “fairytaleness” of the marriage.
    So now The Doctor is believed dead and also unknown by one of his primary enemies, eventually maybe no one will know who he is?

  5. Pingback: Doctor Who ReKapped! « Philip Bates, Freelance Writer

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