A selection of iconic sci-fi sounds and soundtracks are the subject of an article on the MusicRadar.com site – and the technologies used to create the voices of the Daleks and the sound of the TARDIS dematerialising are featured…
Of course hardcore, long-standing Doctor Who fans should know at least the vague details of these immense pieces of sound engineering – but if not, we’ve quoted these below.
It’s the sound that sent generations of children scurrying behind the sofa. We’re speaking, of course, of the metallic intonations of those motorised pepper pots from the planet Skaro. Symbolising the dehumanisation of life under a fascist regime, Davros’ dear Daleks delivered their commands in a voice bereft of all emotion. Much of the credit for the chilling effect must go to the skilled actors who delivered the lines, but it was a ring modulator that gave the Daleks’ voices their inhuman quality.
The BBC Radiophonic Workshop was one of Britain’s rarely recognised national treasures. Responsible for so many musical scores and sound effects, it quite literally defined the sound of adventure for countless schoolkids. And what better vehicle to whisk us off than a battered blue police call box? The wheezing, groaning sound of the Tardis as it materialised was derived by sound designer Brian Hodgson from a key being drawn across a piano string. This was then combined with a reversed echo and a bit of electronic oscillator wobble.
MusicRadar.com features the explanations above alongside example footage – not just of Doctor Who sounds either. Star Trek and Star Wars fans gird your loins for Light Sabers and Transporter sound FX 101!